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Can
you really expect anything bad from a band who has a crush on Bertrand
Russell? At least, you're tempted to say, these guys are kind of… arty,
or maybe they just love to think. And God knows how much pop music needs
alternative arty acts who love to think. Wasn't it Mr Russell who said
that most people would rather die than think? Well, guess what? Not only
Red Bee Society thinks, but it actually churns out great ideas in repeat
mode. Not that this has much to do with philosophy, but it sure has a
lot to do with great, 'arty' pop and genre hopping music.
First, it
is soul. 'Soul
Ascending' (stream
or download
mp3) is like Marving Gaye meeting Sam Cooke in Argyle Street, with
singer Mark Baillie trying to shield them from the insisting rain. It's
possibly the best track in the record, with its rich sound layer (guitar,
drum loops, reverse effects) and Baillie's voice ranging from the sexy
nasal to the classy falsetto.
Then it's
reggae (but there's a lot of ska as well) with 'The Passing Boy', where
guitar and keyboards create a strong cinematic atmosphere effectively
counterpointing the sort of jamaican tempo.
But it's
also straight rock'n'roll on 'Naturals Know' (stream
)
, vaguely reminding of the Velvet Underground or the Rolling Stones (but
more à la Dandy Warhols, fresher, funkier and more playful), modern
bluesy in 'The Homecoming' and morriconeian in the souljazzy 'Peacock
Feathers' (stream
or download
mp3), potentially nominated (is there such a category?) for Best Torch
Song of the Year, mainly, but not only, for the sad and witty lines "You
never say I love you / You only say I love you too / So won't you give
something back / something to keep my heart intact".
It's definitely
a hard job to give Red Bee Society a place (or maybe call it a niche)
in the gilded but cruel world of rock'n'roll. They don't do soul, they
don't do pop, they don't do funk, they don't even do rock. They just create
music and tunes to die for (or at least feel kind of dopey). It's no mystery
though that they don't have a deal yet. It must be written in the Decalogue
of the Music Industry to never sign an arty (and even entertaining, mind
you) band, if not formed after some market researching. And, you see,
Betrand Russell fans do not believe in market researching. It might be
lethal for their own ideals.
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